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datatime: 2022-11-27 17:48:15 Author:VAIwOKbu

"If music be the food of love, play on, Give me excess of it; that, surfeiting, The appetite may sicken and so die-" Galloway could not be found at Curtain; but Ryan had instructions from Hammersmith (through the ubiquitous Mr Lichfield) to take the show up with or without the Director.

"Then he's pissed." The actors laughed. There was a good deal of laughter that night. The show was running smoothly, and though they couldn't see the audience over the glare of the newly-installed footlights they could feel the waves of love and delight pouring out of the auditorium. The actors were coming off stage elated.

In his office, Hammersmith dimly registered the brittle din of adulation through a haze of booze.

"You. . . you're not. . . breathing." Her face fell. She let him go.

Galloway could do nothing with the realization but stare down like a damn fool while this corpse gave him head.

Nobody was watching that night, it was too bitter for lovers. Nobody saw Charlotte Hancock open the door of her sepulchre, with the beating wings of pigeons applauding her vigour as she shambled out to meet the moon. Her husband Gerard was with her, he less fresh than she, having been dead thirteen years longer. Joseph Jardine, en famille, was not far behind the Hancocks, as was Marriott Fletcher, and Anne Snell, and the Peacock Brothers; the list went on and on. In one corner, Alfred Crawshaw (Captain in the 17th Lancers), was helping his lovely wife Emma from the rot of their bed. Everywhere faces pressed at the cracks of the tomb lids-was that not Kezia Reynolds with her child, who'd lived just a day, in her arms? and Martin van de Linde (the Memory of the Just is Blessed) whose wife had never been found; Rosa and Selina Goldfinch: upstanding women both; and Thomas Jerrey, and-Too many names to mention. Too many states of decay to describe. Sufficient to say they rose: their burial finery fly born, their faces stripped of all but the foundation of beauty. Still they came, swinging open the back gate of the cemetery and threading their way across the wasteland towards the Elysium. In the distance, the sound of traffic. Above, a jet roared in to land. One of the Peacock brothers, staring up at the winking giant as it passed over, missed his footing and fell on his face, shattering his jaw. They picked him up fondly, and escorted him on his way. There was no harm done; and what would a Resurrection be without a few laughs?

"Oh darling," she said, letting all pretence to life disappear, "I'm not so good at playing the part, am I?" Her voice was a ghost's voice: thin, forlorn. Her skin, which he had thought so flatteringly pale was, on second view, a waxen white.

"What is it?" she asked, her fluting voice still affecting life.

In his office, Hammersmith dimly registered the brittle din of adulation through a haze of booze.

"Grinning from ear to ear."

"What do you want?" The punk didn't answer. From the corner of his eye Hammersmith had an impression of a broad, bright smile on Galloway's face. Self-satisfied half-wit, coming in here when a man was in mourning.

"If music be the food of love, play on, Give me excess of it; that, surfeiting, The appetite may sicken and so die-" Galloway could not be found at Curtain; but Ryan had instructions from Hammersmith (through the ubiquitous Mr Lichfield) to take the show up with or without the Director.

He was in the act of pouring his eighth drink when the door opened. He glanced up for a moment and registered that the visitor was that upstart Calloway. Come to gloat I daresay, Hammersmith thought, come to tell me how wrong I was.

Calloway felt his body go rigid, while his erection wilted in her throat. She didn't falter in her labour; the relentless pumping continued at his groin even as his mind formed the unthinkable thought: She's dead.

"If music be the food of love, play on, Give me excess of it; that, surfeiting, The appetite may sicken and so die-" Galloway could not be found at Curtain; but Ryan had instructions from Hammersmith (through the ubiquitous Mr Lichfield) to take the show up with or without the Director.

"What do you want?" The punk didn't answer. From the corner of his eye Hammersmith had an impression of a broad, bright smile on Galloway's face. Self-satisfied half-wit, coming in here when a man was in mourning.

"Then he's pissed." The actors laughed. There was a good deal of laughter that night. The show was running smoothly, and though they couldn't see the audience over the glare of the newly-installed footlights they could feel the waves of love and delight pouring out of the auditorium. The actors were coming off stage elated.

Calloway felt his body go rigid, while his erection wilted in her throat. She didn't falter in her labour; the relentless pumping continued at his groin even as his mind formed the unthinkable thought: She's dead.

And, my God, she rose to the occasion. She began the play as she meant to go on, giving her whole heart to the role, not needing physicality to communicate the depth of her feelings, but speaking the poetry with such intelligence and passion the merest flutter of her hand was worth more than a hundred grander gestures. After that first scene her every entrance was met with the same applause from the audience, followed by almost reverential silence.

There again! Applause! Applause!

"I'm afraid so. Two hours ago: in my sleep. But I had to come, Terry; so much unfinished business. I made my choice. You should be flattered. You are flattered, aren't you?" She stood up and reached into her handbag, which she'd left beside the mirror. Galloway looked at the door, trying to make his limbs work, but they were inert. Besides, he had his trousers round his ankles. Two steps and he'd fall flat on his face.

"They're all sitting in the Gods," said Eddie, "but your friends, Mr Lichfield, do an old ham good. They're quiet of course, but such big smiles on their faces." Act I, Scene II; and the first entrance of Constantia Lichfield as Viola was met with spontaneous applause. Such applause. Like the hollow roll of snare drums, like the brittle beating of a thousand sticks on a thousand stretched skins. Lavish, wanton applause.

"What is it?" she asked, her fluting voice still affecting life.

He was in the act of pouring his eighth drink when the door opened. He glanced up for a moment and registered that the visitor was that upstart Calloway. Come to gloat I daresay, Hammersmith thought, come to tell me how wrong I was.

"Is he smiling?" asked Eddie.

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